- #Adobe premiere pro cs6 pdf manual for mac os#
- #Adobe premiere pro cs6 pdf manual manuals#
- #Adobe premiere pro cs6 pdf manual manual#
#Adobe premiere pro cs6 pdf manual for mac os#
What's new in CS6 To the top To the top New features overview Introduction to Adobe Premiere Pro CS6 Redesigned, customizable user interface New default workspace Redesigned Source and Program Monitors Redesigned Project panel Timecode panel Primary edit display in Cinema mode Dropped Frame indicator Trackpad gesture support for Mac OS Editing Viewing and adjusting effects and keyframes 336. This will help you maintain order in your home base of manuals.ĪDOB E ® P RE MIE RE ® PRO Hel p and t utor ial s February 2013Ĭontents What's New 1.
#Adobe premiere pro cs6 pdf manual manuals#
Once a year, clean the closet where you keep all your devices manuals and throw out the ones that you don't use. Proper maintenance is a necessary part of your satisfaction from Adobe Premiere Pro CS6.
#Adobe premiere pro cs6 pdf manual manual#
Then you can put away the manual on a shelf and use it again only in a situation where you're not sure whether you perform maintenance of the product appropriately. You will then acquire basic knowledge to maintain Adobe Premiere Pro CS6 in good operating condition to make it easily reach the intended life cycle. If you do not want to read brochures every time concerning a Adobe Premiere Pro CS6 or other products, it is enough to read them once only - just after buying the device. Important note - be sure to read the Adobe Premiere Pro CS6 at least once Get acquainted with the information concerning the manual for Adobe Premiere Pro CS6, which will help you to avoid troubles in the future. Many instructions, immediately after the purchase, go into the trash along with the box, which is a mistake. We know from our users’ experience that most of people do not really attach importance to these manuals. The color field in the Adobe Color Picker can display color components in HSB, RGB, HSL, or YUV color mode.The Adobe Premiere Pro CS6 and other products you use every day were certainly offered in the manual set. Selecting the Only Web Colors option configures the Adobe Color Picker so that you can choose only from wheelbase colors. In the Adobe Color Picker, you can select colors based on the HSB (hue, saturation, brightness), RGB (red, green, blue), HSL (hue, saturation, luminance), or YUV (luminance and color difference channels) color models, or you can specify a color based on its hexadecimal values. This is useful for viewing how the different color modes describe a color. When you select a color in the Adobe Color Picker, it simultaneously displays the numeric values for HSB, RGB, HSL, YUV, and hexadecimal numbers. Clicking a color swatch in an effect’s controls opens the Adobe Color Picker. You can use the Adobe Color Picker to set target colors in some color and tonal adjustment effects. Select a color with the Adobe Color Picker Level, Input White Level, Output Black Level, and Output White Level. You can also adjust the Input and Output levels by scrubbing the underlined text or typing a value for Input Black Level, Input Gray If you’ve adjusted the White Output to 100 IRE or lower, the lightest highlight will be mapped to that level. By default, the Output white slider is set toĢ55, where the pixels are completely white. Maps the input white level to the setting of the White Output slider. If you’ve adjusted the Black Output to 7.5 IRE or higher, the darkest shadow will be mapped to that level.Ĭontrols the midtones and changes the intensity values of the middle range of gray tones without dramatically By default, the Output black slider is set to 0, Maps the input black level to the setting of the Black Output slider. You can also click the color swatch to open the Adobe Color Picker and select a color to define the lightest highlight in the image. Want to be the lightest value in the image. Click an area in the Program Monitor that you Maps the sampled tone to the setting of the White Output slider. You can also click the color swatch to open the Adobe Color Picker and select a color to define the medium gray in the image. Tones without dramatically altering the highlights and shadows. This changes the intensity values of the middle range of gray Maps the sampled tone to a medium gray (level 128). You can also click the color swatch to open the Adobe Color Picker and select a color to define the darkest shadow in the image. Want to be the darkest value in the image. Maps the sampled tone to the setting of the Black Output slider. Use the following controls to set the black, gray, and white input levels: Original image (left) blacks and whites corrected to broadcast limits (right)Ĩ. This ensures that the levels are within broadcast standards. White levels of the waveform are within 7.5 to 100 IRE.